Manager(s) :
Vedat Konyalı,
Editor(s) :
Vedat Konyalı,
Participants :
Alaattin Timur,
Ali Haydar Ünsal,
Betül Pinhas,
Burcu Kemerli,
Ceren Ünsal,
Fatma Baş,
Kader Gürsoy,
Kubilay Düzgören,
Nurşen Kaya,
Onur Şahbaz,
Pınar Karakaya,
Pınar Özbilgen,
Salih Zeki İlban,
Serkan Gönençler,
Serkan Korkmaz,
Sinan Anaral,
Şerare Arbatlı,
Tahir Önal,
Tuba Gültekin,
Uğur Çıkırıkçılı,
Tayfun Duran,
Sultanahmet |
. . . |
. . . |
Yeni Cami |
sahaflar beyazıt. . . |
click for gallery»
Purpose and Scope: The project aims to present the life, historic places, different religion and ethnic groups, transportation, shopping, night and day in Eminönü where one of the oldest locations of Istanbul.
Information : GENERAL INFORMATION
"There, God and human, nature and art are together, they have created such a perfect place that it is valuable to see." Lamartine’s famous poetic line reveals his love for Istanbul, describing the embracing of two continents, with one arm reaching out to Asia and the other to Europe.
Istanbul, once known as the capital of capital cities, has many unique features. It is the only city in the world to straddle two continents, and the only one to have been a capital during two consecutive empires - Christian and Islamic. Once capital of the Ottoman Empire, Istanbul still remains the commercial, historical and cultural pulse of Turkey, and its beauty lies in its ability to embrace its contradictions. Ancient and modern, religious and secular, Asia and Europe, mystical and earthly all co-exist here.
Its variety is one of Istanbul’s greatest attractions: The ancient mosques, palaces, museums and bazaars reflect its diverse history. The thriving shopping area of Taksim buzzes with life and entertainment. And the serene beauty of the Bosphorus, Princes Islands and parks bring a touch of peace to the otherwise chaotic metropolis.
Districts
Adalar, Avcılar, Bağcılar, Bahçelievler, Bakırköy, Beşiktaş, Bayrampaşa, Beykoz, Beyoğlu, Eminönü, Eyüb, Fatih, Gaziosmanpaşa, Kadıköy, Kâğıthane, Kartal, Küçükçekmece, Pendik, Sarıyer, Şişli, Ümraniye, Üsküdar, Zeytinburnu, Büyükçekmece, Çatalca, Silivri, Şile, Esenler, Güngören, Maltepe, Sultanbeyli, Tuzla.
SULTANAHMET
Many places of tourist interest are concentrated in Sultanahmet, heart of the Imperial Centre of the Ottoman Empire. The most important places in this area, all of which are described in detail in the “Places of Interest” section, are Topkapi Palace, Aya Sofia, Sultan Ahmet Camii (the Blue Mosque), the Hippodrome, Kapali Carsi (Covered Market), Yerebatan Sarnici and the Museum of Islamic Art.
In addition to this wonderful selection of historical and architectural sites, Sultanahmet also has a large concentration of carpet and souvenir shops, hotels and guesthouses, cafes, bars and restaurants, and travel agents.
MUSEUMS AND ANCIENT CITIES
Hagia Sophia (Ayasofya) Museum : Aya Sophia was, for nearly a thousand years, the largest enclosed space in the world, and still seen as one of the world’s most important architectural monuments. It is one of Turkey’s most popular attractions, drawn by the sheer spectacle of its size, architecture, mosaics and art.
For 916 years it was a church, then a mosque for 481 years, and since 1935 has been a museum. Thought to have been constructed by Emperor Konstantinos I (324 – 337) it was burned down during a revolt. Rebuilt by Emperor Theodosium II, it was opened for worship in 415 and once again was burned to the ground, during the Nika revolts of 532.
Emperor Iustanianus (527 – 565) wanted to construct something even bigger than the original two and appointed architects Isidoros from Miletos, and Anthemios from Tralles to build the Aya Sophia which still stands. Columns, heads, marble and coloured stones were imported to Istanbul from ancient cities in Anatolia for the purpose.
The construction began on 23 December 532, and was completed exactly five years later. The main, central section measured 100m x 70m, covered with a 55m high dome which was a mammoth 30m in diameter – appearing to be a great feat of design. The mosaics are of great importance, and the oldest ones are dominated by geometric and plant motifs decorated with gold.
The worst desecration of the church was in 1204, ransacked by Catholic soldiers during the Fourth Crusade. In 1453, after a failure of the Byzantine Church to fend off the Turks, Mehmet the Conqueror captured the city, rode into Aya Sofia and immediately turned it into a mosque. It was repaired several times, and Islamic ornamentation added, for example an extract of the Koran by calligrapher Izzet Efendi inscribed on the dome. The other reminders of its previous status as a mosque include huge wooden plaques bearing the names of Allah, the Prophet Mohammed and the first four caliphs.
The marble and mosaics remain the most interesting aspects today. The columns supporting the gallery are made from antique marble, and in the western gallery is the green marble which marks the position of the throne of the Empress. The impressive figurative mosaics include Virgin and Child flanked by two emperors, dating back to the late 10th century, and one depicting Christ, the Virgin, and St John the Baptists. Even though there is partial damage, the haunting images on their faces remain as strong as ever.
ARCHEOLOGY MUSEUM
The Archeology Museum consists of two separate buildings.
I) MAIN BUILDING (OLD BUILDING)
Its construction was started in 1881 by Osman Hamdi Bey and with the additions in 1902 and 1908 it gained its latest form. Its architect is Alexander Vallaury. The outer face of the building was made by inspiring from the İskender Tomb and Crying Women tombs. It is a beautiful example of neoclassical buildings in Istanbul.
On the upper floor of the two-flat building there are small stone works, pots and pans, small terracotta statues, the Treasure Department and approximately 800.000 Ottoman coins, seals, decorations, medals and Non-Muslim and Muslim Coin Cabinets, in which coin moulds were kept, and a Library with approximately 70.000 books.
On the bottom floor saloons of the building, famous tombs are displayed such as İskender Tomb, Crying Women Tomb, Satrap Tomb, Lykia Tomb, Tabnit Tomb that are in the Sayda king graveyard.
On the bottom floor, besides the display of tombs, there is Old Age Statuary display in which statues and relieves from important antic cities and regions take place. In this display, the development of the art of statuary from Archaic Period to the Byzantium Period is displayed in chronological order with outstanding examples.
II) ADDITIONAL BUILDING (NEW BUILDING)
The additional building attached to the southeast of the main building is of 6 stories. There are depots in the two stories under the ground floor.
The four stories of the building are arranged as exhibition saloons. There is “Istanbul for Ages” on the first floor of the building, “Anatolia and Troia for Ages” on the second floor and “Surrounding Cultures of Anatolia: Cyprus, Syria-Palestine” on the top floor. There is Infant Museum and architectural works display on the first floor of the additional building. The Thrakia-Bithynia and Byzantium display saloon, which was opened in August 1998, can be visited on the floor under the first floor with the name of “Surrounding Cultures of Istanbul”.
The museum has received the European Council Museum Award in 1991, which is its 100. establishment anniversary, with the new arrangement made in the lower floor saloons and the Additional Building display.
OLD EASTERN WORKS MUSEUM
The building, which was made by Osman Hamdi bey in 1883 as Sanayi-i Nefise (Fine Arts School), was organized as a museum with the works made between 1917-1919 and 1932-1935. The building, which was closed to visit in 1963, was opened to visit again in 1974 with a new display by changing the inner parts.
On the upper floor of the two-flat building, Anatolian, Mesopotamian, Egyptian and Arabic works of art are displayed. Statue of Naramsin, the king of Akad, the Kadeş Agreement and Zincirli statue are the unique works of art in the museum.
Moreover, in this museum there is a “Tablet Archive” in which 75.000 documents with cuneiform writings are kept.
ENAMELED KIOSK MUSEUM
The kiosk that has been made by Fatih Sultan Mehmet in 1472 is one of the oldest examples of Ottoman civil architecture in Istanbul. It has been used as Müze-i Hümayun (Empire Museum) between 1875-1891. It was opened to public in 1953 with the name of Fatih Museum where Turkish and Islamic works of art were displayed and it was transferred to Istanbul Archeology Museums due to its site.
The entrance façade of the kiosk is single-flat and the back façade is of two-stories. There is a marble porch of 14 columns in the entrance. The entrance exedra is decorated with mosaic enamels. Various chinaware and ceramics from the Seljuk and Ottoman period are displayed in the Kiosk that forms from 6 rooms and a middle saloon. There are approximately 2000 works of art in the museum and its depots.
TOPKAPI PALACE MUSEUM
It is located on the promontory of the historical peninsula in İstanbul which overlooks both the Marmara Sea and the Bosphorus. The walls enclosing the palace grounds, the main gate on the land side and the first buildings were constructed during the time of Fatih Sultan Mehmet (the Conqueror) (1451 - 81). The palace has taken its present layout with the addition of new structures in the later centuries. Topkapı Palace was the official residence of the Ottoman Sultans, starting with Fatih Sultan Mehmet until 1856, when Abdülmecid moved to the Dolmabahçe palace, functioned as the administrative center of the state. The Enderun section also gained importance as a school.
The main exterior gate of the Topkapı Palace is the Imperial Gate (Bab-ı Hümayun) which opens up to the Ayasofya Square. This gate leads to a garden known as the First Court. This court has the Aya Irini Church which was once used as an ammunition depot and behind the Church there is the mint. In the past various pavillions allocated to different services of the palace were located in the First Court. In later years these have been replaced with public buildings and schools. Some of these are still existing. At the end of the 19th century Archeology Museum and School of Fine Arts (now Oriental Works Museum) were built in the large garden which is to the northwest of the First Court. The oldest structure in this section is the Çinili Köşk built by Fatih, which is now used as the Museum of Turkish Tiles and Ceramics. On the walls of this outer garden facing Bab-ı ali (the Imperial Gate), there is Alay Köşkü (procession Pavillion) where the Sultans used to watch the marching ceremonies. A section of the outer garden was planned by the municipality at the beginning of the 20th century and opened to the public. Known today as the Gülhane Park, the enterance has one of the largerst gates of the palace. After the First Court, there is the Second Court which contains the palace buildings. It is entered through a monumental gate called Bab'us-Selam or the Middle Gate. The buildings in this court form the outer section of the palace which is called Birun. On the right there are the instantly noticed palace kitchens with their domes and chimneys and the dormitories of those who worked there. The most important of the buildings on the left side of the court are the Kubbealtı and the Inner Treasury. Behind Kubbealtı rises the Justice Tower, which is one of the symbols of the Topkapı Palace. The Harem section, which comes all the way to the back of these buildings is entered from the Third Court. Third Court is entered through the gate called Bab'üs Sa'ade (Gate of the White Eunuiches). This section of the palace is called Enderun, and it is the section where the sultans live with their extended families. Hence it is specially protected. The barracks of the Akağalar, which guard Bab'üs Sa'ade are on both sides of the gate. There are two structures. The first which is immediately opposite the gate is the Throne Room or the Audience Hall. Here the sultans receive the ambassadors and high ranking state officials such as Grand Visier or the Visiers. Right behind the Throne Room there is the library built by Ahmet III (1703 - 30). On the right side of the Third Court, there is the barracks of the Enderun and the Privy Treasury which is also known as the Mehmet the Conqueror Pavilion. On the side facing the Fourth Court, there is the Larder Barracks of the Enderun, the Treasury Chamber and the Chamber of the Sacred Relics. The left side starts with the Harem. The harem which covers a large part of the Palace consists of about 60 spaces of varying sizes. The main structures which are located in front of the Harem, facing the Third Court are Akağalar Mosque, Sultan Ahmet Mosque, Barracks of the Sacred Relics Guards and Chambers of the Sacred Relics. Here, the sacred relics brought back by Sultan Yavuz Selim from Egypt in 1517 are kept. The Fourth Court is entered from a covered path going from both sides of the Treasury Room. Here the buildings are located in the first part of the court, which has two sections of different levels. On the left side of this section called Lala Garden or Lale Garden there is Mabeyn which is the beginning point of Harem's access to the garden, terrace for the ladies with removable glass enclosure, Circumcission Room, Sultan İbrahim Patio and another one of the symbols of Topkapı palace, the İftariye (or Kameriye) and Baghdat Pavilion. This pavillion was built by Murad IV in 1640 to commemorate the Baghdat Campaign. At the center of the first section of the Fourth Court, there is the Big Pool and Ravan Pavillion next to it. This pavillion was also built by Murad IV in 1629, to commemorate the Revan Campaign. The side facing the second section has Sofa Pavilion (Koca Mustafa Pasha Pavilion), Başbala Tower and Hekimbaşı (Chief Physician) Room. The Sofa Mosque and Esvap Chamber and the latest built Mecidye Pavilion are on the right hand side of the Fourth Court. Out of the pavillions built on the shore of the Marmara Sea, only Sepetciler Mansion has survived until the present.
During 18th. Century when the Topkapı palace took its final shape, it was sheltering a population of more than 10.000 in its outer (Birun) and inner (Enderun) and Harem sections. It shows no archirectural unity as new parts were added in every period according to the needs. However, this enables us to follow the stages Ottoman Architecture went through from the 15th to the middle of the 19th century at the Topkapı Palace. The buildings of the 15th - 17th centuries are simpler and those of the 18th - 19th centuries, particularly in terms of exterior and interior ornamentation are more complex.
Topkapı Palace was converted to a museum in 1924. Parts of the Palace such as the Harem, Baghdat Pavilion, Revan Pavilion, Sofa Pavilion, and the Audiance Chamber distinguish themselves with their architectural assets,while in other sections artifacts are displayed which reflect the palace life. The museum also has collections from various donations and a library.
TOPKAPI PALACE MUSEUM
It is located on the promontory of the historical peninsula in İstanbul which overlooks both the Marmara Sea and the Bosphorus. The walls enclosing the palace grounds, the main gate on the land side and the first buildings were constructed during the time of Fatih Sultan Mehmet (the Conqueror) (1451 - 81). The palace has taken its present layout with the addition of new structures in the later centuries. Topkapı Palace was the official residence of the Ottoman Sultans, starting with Fatih Sultan Mehmet until 1856, when Abdülmecid moved to the Dolmabahçe palace, functioned as the administrative center of the state. The Enderun section also gained importance as a school.
The main exterior gate of the Topkapı Palace is the Imperial Gate (Bab-ı Hümayun) which opens up to the Ayasofya Square. This gate leads to a garden known as the First Court. This court has the Aya Irini Church which was once used as an ammunition depot and behind the Church there is the mint. In the past various pavillions allocated to different services of the palace were located in the First Court. In later years these have been replaced with public buildings and schools. Some of these are still existing. At the end of the 19th century Archeology Museum and School of Fine Arts (now Oriental Works Museum) were built in the large garden which is to the northwest of the First Court. The oldest structure in this section is the Çinili Köşk built by Fatih, which is now used as the Museum of Turkish Tiles and Ceramics. On the walls of this outer garden facing Bab-ı ali (the Imperial Gate), there is Alay Köşkü (procession Pavillion) where the Sultans used to watch the marching ceremonies. A section of the outer garden was planned by the municipality at the beginning of the 20th century and opened to the public. Known today as the Gülhane Park, the enterance has one of the largerst gates of the palace. After the First Court, there is the Second Court which contains the palace buildings. It is entered through a monumental gate called Bab'us-Selam or the Middle Gate. The buildings in this court form the outer section of the palace which is called Birun. On the right there are the instantly noticed palace kitchens with their domes and chimneys and the dormitories of those who worked there. The most important of the buildings on the left side of the court are the Kubbealtı and the Inner Treasury. Behind Kubbealtı rises the Justice Tower, which is one of the symbols of the Topkapı Palace. The Harem section, which comes all the way to the back of these buildings is entered from the Third Court. Third Court is entered through the gate called Bab'üs Sa'ade (Gate of the White Eunuiches). This section of the palace is called Enderun, and it is the section where the sultans live with their extended families. Hence it is specially protected. The barracks of the Akağalar, which guard Bab'üs Sa'ade are on both sides of the gate. There are two structures. The first which is immediately opposite the gate is the Throne Room or the Audience Hall. Here the sultans receive the ambassadors and high ranking state officials such as Grand Visier or the Visiers. Right behind the Throne Room there is the library built by Ahmet III (1703 - 30). On the right side of the Third Court, there is the barracks of the Enderun and the Privy Treasury which is also known as the Mehmet the Conqueror Pavilion. On the side facing the Fourth Court, there is the Larder Barracks of the Enderun, the Treasury Chamber and the Chamber of the Sacred Relics. The left side starts with the Harem. The harem which covers a large part of the Palace consists of about 60 spaces of varying sizes. The main structures which are located in front of the Harem, facing the Third Court are Akağalar Mosque, Sultan Ahmet Mosque, Barracks of the Sacred Relics Guards and Chambers of the Sacred Relics. Here, the sacred relics brought back by Sultan Yavuz Selim from Egypt in 1517 are kept. The Fourth Court is entered from a covered path going from both sides of the Treasury Room. Here the buildings are located in the first part of the court, which has two sections of different levels. On the left side of this section called Lala Garden or Lale Garden there is Mabeyn which is the beginning point of Harem's access to the garden, terrace for the ladies with removable glass enclosure, Circumcission Room, Sultan İbrahim Patio and another one of the symbols of Topkapı palace, the İftariye (or Kameriye) and Baghdat Pavilion. This pavillion was built by Murad IV in 1640 to commemorate the Baghdat Campaign. At the center of the first section of the Fourth Court, there is the Big Pool and Ravan Pavillion next to it. This pavillion was also built by Murad IV in 1629, to commemorate the Revan Campaign. The side facing the second section has Sofa Pavilion (Koca Mustafa Pasha Pavilion), Başbala Tower and Hekimbaşı (Chief Physician) Room. The Sofa Mosque and Esvap Chamber and the latest built Mecidye Pavilion are on the right hand side of the Fourth Court. Out of the pavillions built on the shore of the Marmara Sea, only Sepetciler Mansion has survived until the present.
During 18th. Century when the Topkapı palace took its final shape, it was sheltering a population of more than 10.000 in its outer (Birun) and inner (Enderun) and Harem sections. It shows no archirectural unity as new parts were added in every period according to the needs. However, this enables us to follow the stages Ottoman Architecture went through from the 15th to the middle of the 19th century at the Topkapı Palace. The buildings of the 15th - 17th centuries are simpler and those of the 18th - 19th centuries, particularly in terms of exterior and interior ornamentation are more complex.
Topkapı Palace was converted to a museum in 1924. Parts of the Palace such as the Harem, Baghdat Pavilion, Revan Pavilion, Sofa Pavilion, and the Audiance Chamber distinguish themselves with their architectural assets,while in other sections artifacts are displayed which reflect the palace life. The museum also has collections from various donations and a library.
RELIGIOUS MONUMENTS
Small St.Sofia Mosque - Ss. Sergius and Bacchus Church
Small St. Sofia Mosque is located between Cankurtaran and Kadırga quarters in Eminönü District, 20 km away from the southern seaside of Mediterranean ramparts. Although it is stated in some sources that there was a pavilion of Big Palace, which is known as Hormidas Palace, and a basically planned church established for Apostle Petrous and Pavlos near Small St. Sofia Mosque, there is no proof which determines their exact locations.
Small St. Sofia Mosque or Ss. Sergius and Bacchus church with its former name, which is the useable oldest structure of İstanbul today, was constructed between the years 527-536. According to the legends stated in the sources about the construction of the building (Millingen 1912), at the 1st Anastasyus Period, 1st Justiniaunus and his uncle 1st Justinos were condemned to death due to an allegation that they had a rebellion against the Emperor Anastasyus. One night before the execution, the Emperor Anastasyus sees the saints Ss. Sergius and Bacchus in his dream and the saints testifies in favour of 1st Justiniaunus and 1st Justinos. The emperor, who is affected by this dream, forgives them. When 1st Justiniaunus becomes emperor, he establishes Ss. Sergius and Bacchus church as a vow church in order to show his gratitude to these saints.
After the conquer of İstanbul, the building, which was used as a church for nearly 1000 years, was changed to a mosque by Hüseyin Agha, the Kapu Agha, in 1504 during the 2nd Bayezid period.
Architectural Description
The building is one of typical samples of central planned, first period Byzantine churches in the capital Constantinople. Narthex lies at the west and semi-hexagonal shaped apsis lies at the east side of the irregular, rectangular planned church. The octagonal planned center area, which was placed in the irregular rectangle, were enlarged with semi-circle shaped niches called exedra. The location integrity has been ensured between the center area and apsis by placing polygonal shaped pillars to the corners of this center area and two each columns among these pillars. In terms of plan, the building has the similar characteristics with Ravenna - St. Vitale, Aachen - Aix Le Chapella and Basra - Bacchus churches; but it is completely different at third dimension.
On the center area, there is 16 sectioned dome carried by eight big pillars on its corners. Eight of these sections are plain and eight of them are concave. Arch shaped windows have been opened on the plain sections. The upper surface of the corridors providing passage from the center area to rectangular form takes shape of a gallery at the upper floor. At the gallery floor, the upper surface of the exedras are furnished with semi - domes carried by three arches.
It is being supposed that the inner walls were ornamented with mosaics during constructing, as seen in the buildings of the same period. But today there is no proof verifying this supposition; the inner surface of the building is fully plastered. The only ornament in the building belonging to Byzantine Period is an architrave formed with bunch and leave of grapes having a slender workmanship at the gallery floor level, around the center area. It is being asserted that the building was constructed on the area of a tempest made on behalf of Bakus, the God of wine, in idolatry period and the name Bacchus came accordingly.
Building Material
The building material used for Ss. Sergius and Bacchus church is stone, brick and plaster. Except the restored parts, the walls on northern, western and eastern fronts are made by reinforcement of bricks with stones arranged in wide intervals. The bricks of 70 x 35 x 5 cm are adhered together with plaster of 4 - 5 cm. On the southern front which is a 19th century structure there are irregular laid stone and bricks. Various lime types have been used for stone lines made for reinforcement of bricks. In the building, for the pillars, shelled limestone adhered with 4 cm plaster was used on the ground floor and brick was used on the gallery floor. Bricks were used as material for the vaults of the corridors and the gallery floor and for the central dome, and the bricks are laid in a manner to form radial pointing united at the center of the vault.
The columns between the pillars are made of red and green serpatine, the head of columns and the architrave at the gallery floor level are made of Mediterranean marble. After the building was changed to a mosque, the pulpit muezzin gallery added to the building are also made of marble.
The Changes in the Building
According to the sources, the first damage and thus the first restoration in the building had been after the Iconoclasm movements in 9th century (Müller - Weiner 1977). And after the Latin invasion, the inner ornament needed to be restored (Paolesi 1961).
In 1054, Hüseyin Agha, the Kapu Agha, changed the building to a mosque and during this changing works all inner ornaments of the building was changed and some parts specific to a mosque were added to the building. These parts were a pulpit to south - east, a muezzin gallery to north - west in the inner side and a congregation area in front of the western wall in the outer side. Many windows at various dimensions were opened with ottoman architectural characteristics; and some of the existing windows were closed.
An independent minaret was established to the south - west corner of the building. The characteristic of the first minaret is not being known. It is being stated in the sources that a new minaret with Baroque style was made in 18th century (S. Eyice 1978). The body of the Baroque style minaret was placed on an octagonal pulpit; the body climbs on the Baroque profile arches and joined to a minaret balcony with a bracelet part. The banister of the minaret balcony having baroque style ornaments was made of plain plates. The minaret having a lead coated classical spire was destroyed up to its pulpit in 1936 due to unknown reasons. The minaret, which remained ruined for a few years, was rebuilt in 1955.
Since 1600, 89 earthquakes with intensity bigger than 6 was observed in İstanbul which is located on an important seismic zone. Thus, it is certain that Small St. Irene Mosque lived more earthquakes (N. Çamlıbel 1991). It was stated that in Hüseyin Agha's foundations (the Kapu Agha), the plasters fell and the windows at north and south were broken in the earthquake of 1968 and most part of the building was damaged in the earthquake of 1763; and the restoration works of the building were given to Ahmet Agha (S. Eyice, 1978).
In 1870 - 1871, a railway was established in the region between the building and the northern sea ramparts in a manner to pass 5 km. away from the building. The railway, which is at an attitude of 1 m. from the ground level, served as single line for nearly 50 years. According to the sources, as the stones of the southern walls fell at each pass of the train, a wall with the Ottoman style was laid in 1877 (Mathews 1971). At the beginning of 20th century, the railway was made double lined by increasing 3 m from the ground level.
The building, which was used as a sheltering place during Balkan War by the people who escaped from the war, was restored twice in 1937 and 1955, in the Republic Period (S. Eyice, 1978). The front of the building, which was known to be plastered and whitewashed, was restored after 1955 and brick and stone lays were made to be visible at all front except the drum of cupola.
There are some cracks at north - east and south - east sides, especially at exedras of the building, which is today used as a mosque. These continuous cracks begin from the cupola, pass the gallery vaults and go up to the outer walls of the building. The necessary activities should be carried out in order to find the occurring reason of these cracks and to repair them.
İSTANBUL TURKISH AND ISLAMIC ARTS MUSEUM
Turkish and Islamic Works Museum is the first Turkish museum covering the Turkish and Islamic art works wholly. The establishment works that have been started at the end of 19th century have been completed in 1913 and the museum has been opened for visit in the soup kitchen building located in Süleymaniye Mosque complex, which is one of the most important works of Mimar Sinan, with the name of "Evkaf - ı İslamiyet Müzesi" (Islamic Foundations Museum). After the announcement of the republic, it has taken the name "Turkish and Islamic Works Museum".
The museum has been moved to İbrahim Pasha Palace from the soup kitchen building in 1983. Ibrahim Pasha Palace, which is one of the most important samples of 16th Century Ottoman civil architecture samples is on the stages of the historical hippodrome, the history of which goes back to the Roman Period. This building, the precise construction reason and date are not known, has been presented to İbrahim Pasha by Kanuni Sultan Süleyman in 1520, who would be his grand vizier for 13 years.
İbrahim Pasha Palace, which is claimed to be bigger and more magnificent than Topkapı Palace by the history has been the stage of many weddings, feasts and celebrations as well as rebellions and turmoil and called with the name of İbrahim Pasha after the death of this person in 1536. It has been used by other grand viziers, and had functions such as barracks, embassy palace, register office, Janissary band house, sewing workshop and prison.
The palace located around four big internal courtyards has been made of stone in contrast with many Ottoman civilian buildings, most of which are wooden, therefore it could reach today and has been repaired between the years 1966 - 1983 and has been born again as the new building of Turkish and Islamic Works Museum. The section, which is used as a museum today is the big ceremony hall of the palace and the 2nd courtyard surrounding it, which have been the subject of all Ottoman miniatures of the palace and the gravures and tables of Western artists.
Turkish and Islamic Works Museum has been awarded with the Special Jury Award of Museum of the Year Competition of the European Council in 1984 and with the prize given by European Council - Unesco for its studies for making the children love the culture inheritance.
Turkish and Islamic Works Museum, that is among the important museums of the world in its class has works from almost all periods and all types of Islamic art with its collection exceeding forty thousand works.
Carpet Section
The carpet section forming the richest collection of carpet art in the world had a separate importance and caused the museum's being famous as a "Carpet Museum" for long years. The museum has the richest carpet collection of not only Turkey, but also the world. Besides rare Seljuk carpets, prayer rugs and animal figured carpets belonging to the 15th centuries and the carpets produced in Anatolia between the 15th - 17th centuries and called as "Holbein Carpet" in the West inspired by the geometrically figured or kufi writing are the most valuable parts of this section.
Turkish and Islamic Works Museum carpet collection that became richer with Iranian and Caucasian carpets and famous Uşak and palace carpet samples is a reference, which the ones carrying out a serious research on the carpet art in the world must apply to.
Hand Writings and Calligraphy Section
Koran - ı Kerims constituting a big part of the writing collection of Turkish and Islamic Works Museum from 7th century to the 20th century come from a large geographical region where Islam has spread over.
It is one of the rare collections, where Emevi, Abbasi, Egypt and Syria Tulunoğulları, Fatımi, Eyyubi, Memluk, Moğol, Türkmen, Seljuk, Timuri, Safavi, Kaçar and Anatolian Principalities and Ottoman calligraphy creations can be observed all together.
Among the hand writings, except Korans, there are books (some of them with pictures) written about various subjects and these draw attention both in terms of their writing styles and their coatings.
Imperial edicts, warrants bearing the signatures of Ottoman sultans, the sultan's signatures each of which is a work of art, Turkish and Iranian miniature writings make Turkish and Islamic Works Museum one of the most important museums of the world.
Section of Wooden Works
The most important parts of this collection are the samples of Anatolian Wood art of 9th - 10th century.
Besides the unique parts that remained from the Anatolian Seljuks and principalities, mother - of - pearl, ivory, tortoiseshell ornamented wooden works of the Ottoman Period, unique samples of inlaying art, Koran part cases, bookrests, drawers are the interesting parts of this rich collection.
Stone Art Section
Stone works belonging to Emevi, Abbasi, Memluk, Seljuk, Ottoman periods, some of which have motifs and some of which have figures, but all of which have writings have been gathered in Turkish and Islamic Works Museum. Unique and elite samples of stone art of Seljuk Period, grave stones on which hunting scenes, fairy creatures such as sphinx, griphon, dragon, early - period stone works with kufi writings, inscriptions written in different methods that are projections of Ottoman calligraphy art are important both in quality and in quantity.
Section of Ceramic and Glass
In this collection consisting mostly of the ceramic works found in the excavations made between 1908 - 14, the ones from Samarra, Rakka, Tel Halep, Keşan are in the first ranks.
It is possible to see the stages of Early - Islamic Period ceramic art in the collection of Turkish and Islamic Works Museum. The mosaic, mihrab and wall encaustic tile samples belonging to the Anatolian Principalities and Seljuk Periods and the plaster ornaments of Konya Kılıçaslan Palace constitute another important part of the collection. Ottoman encaustic tile and ceramic art samples end with near - period Kütahya and Çanakkale ceramics.
The glass collection starts with the 9th century Islamic glass art samples and includes 15th century Memluk candles, Ottoman period glass art samples.
Metal Art Section
Turkish and Islamic Works Museum Metal Art Collection starting with the unique samples belonging to the Great Seljuk Empire period and mortar, censer, long - spouted ewer, mirror and dirhems constitute an important collection with the door knockers of Cizre Ulu Mosque and 14th century candelabrums ornamented with constellation and planet symbols, which have an important place in Islamic metal art.
Among the Ottoman metal art samples starting from the 16th century and reaching the 19th century, there are silver, brass, tombac (ornamented with valuable stones) crests, candles, rose water cans, censers, washtub / ewer sets.
Ethnography Section
Ethnographic parts collected for long years have found the possibility of being exhibited with the transfer of Turkish and Islamic Works Museum to İbrahim Pasha Palace.
The youngest part of the museum is exhibited in this collection, consisting of carpet - kilim looms collected from various regions of Anatolia, wool painting techniques, public weaaving and ornamenting art samples, clothes in their regional enhancements, house goods, hand arts, hand art instruments, nomad tents exhibited in places special to them.
Museum of Turkish Carpets : Across the street from the Ibrahim Pasa residence is the Museum of Turkish Carpets which contains exquisite antique carpets and kilims gathered from all over Turkey. Open days to visit: Everyday except Monday
Yerebatan Sarnıcı (Cistern) : Nearby Aya Sofia is the 6th century Byzantine underground Basilica cistern, with 335 massive Corinthian columns supporting the immense chamber’s fine brick vaulting. This is one of several buried into the city’s foundations, and the first to have been excavated and renovated. Thought to have been built in the 4th century by the emperor Constantine, then enlarged two centuries later, it was supplied with water from Belgrade Forest, amd supplied it to the Great Palace and Topkapi Palace.
It fell into disuse and was then restored in 1987 with the mud and water removed, and narrow raised pathways providing easy access for visitors. It is the largest covered cistern in the city, measuring 140 by 70 metres.
BEDESTENS
Shopping in Istanbul is often a huge part of any visit, and the city’s famous historical bazaars offer a wonderful insight into city life. Whether shopping for carpets, spices, vegetables or clothes, the process of making your purchase is likely to be enhanced by the atmosphere of wandering through the crowded stalls - and of course haggling. As usual when bargaining with persuasive shop owners, have an idea of a good price before you start.
Kapalı Carşı (Covered Bazaar) : The oldest and biggest closed bazaar in the world, also known as the Grand Bazaar, has around 4000 shops and over 60 alleyway, covering a huge labyrinth in the city centre. The original two structures, covered with a series of domes and remains of the 15th century walls, became a shopping area by covering the surrounding streets and adding to it over the following centuries. In Ottoman times this was the centre of trading, and a vital area of town. The Sandal Bedesten was added during Suleyman’s reign, to cope with the rising trade in fabrics, during the 16th century.
Traditionally the more valuable goods were in the old central area, called Ic Bedesten, because it was more secure. As quite typical of the area, most streets are laid out and devoted to a particular trade, for example gold on Kuyumcular Caddesi, leather on Bodrum Han, and shoes on Kavaflar Sokak. But the trade has also spilled out onto the surrounding streets, and it is very common to see Russian traders buying up huge sacks of leather jackets or shoes outside the main entrance. Even the streets leading to the Golden Horn are lined with outdoor stalls, which have traditionally been controlled by strict trading laws to reduce competition between traders.
Apart from the usual shops selling clothes, textiles, jewellry and carpets, there are small workshops where craftsmen cast and beat silver or brass, in a skilled trade handed down through the generations. If all that shopping, bargaining and fending off persuasive salesmen is a little too tiring, there are also traditional cafes dotted inside the bazaar in which to relax, eat and sip tea. There are also money-changing booths inside and out. It is slightly less crowded during weekdays, as most locals shop at weekends.
Mısır Çarşısı (Egyptian Bazaar) : Also known as the Spice Market, this is Istanbul’s second bazaar, constructed in the same complex as Yeni Camii (or New Mosque). There are six gates, which make it an attractive exterior. The L-shaped market, together with the mosque, were built for the mother of Mehmet IV, a powerful woman who ruled the harem and, some would say, much of the empire.
Although no longer the prime spice trading area of the city, there is still the aroma of ginger, cardamom, pepper and saffron from the piles of spices sold from many stalls. These days it is also popular for great varieties of lokum (turkish delight), small souvenirs, flavoured teas and local delicacies – including the dubious sounding “Turkish Viagra”. Locals come here to shop for bed linen and towels, as well as for fruit and vegetables, coffee, clothes, pots and pans in the surrounding cramped backstreets. Outside the market on the Galata Bridge end, is this is the best place to choose olives from huge barrels, and many varieties of beyaz penir (white cheese).
Bakırcılar (Copper Smiths) : Bazaar Lesser known and smaller, but nonetheless just as interesting is this market in Beyazit, under the north and east walls of Istanbul University. Copper is beaten and produced into many shapes, sizes and forms, and shops sell cauldrons, saucepans, buckets, candlesticks and the like.
Bit Pazarları (Flea Markets) : Away from the classical, historical markets which have always attracted tourists, there are many flea and street markets around the city, usually consisting of streets of junk shops. As usual, getting a real quality bargain is often down to luck, but it is still an interesting way to shop.
TOWERS
Within the grounds of the central building of Istanbul’s University (formerly the palace of Mehmet the Conqueror) this wooden tower was built for fire watchers, and remains a landmark throughout the city. Mahmud II demolished it in order to construct a better one, and according to the inscription, he ordered a rock-filled tower in 1828 to be built by the Ministry of Defense. The monument is 50m high, and from the upper landing, accessible via wooden staircase, offers a superb overview of the city.
MONUMENTS AND SQUARES
Hippodrome : The ancient Hippodrome, scene of chariot races and the centre of Byzantine civic life, stands in the area that is now in front of the Blue Mosque, and now part of Sultanahmet. Of the ornaments which once decorated it, only three remain: The Obelisk of Theodosius, the bronze Serpentine Column, and the Column of Constantine. Remains of the curved end of the Hippodrome wall can be seen on the southwest side of the three.
Today, the square forms the centre of Istanbul’s historical, cultural and tourist life, and the surrounding wooden houses – especially the 18th century ones on Sogukcesme Sokak – were recently restored giving them a new lease of life as small hotels.
Theodosius Obelisk : Theodosius Obelisk is originally an Egyptian piece of art erected in 1547 BC and originally 60m tall, but only the upper third of it survived the shipment from Egypt, brought to Istanbul by Emperor Theodosius in 390. Made from pink granite, its pictures and hieroglyphs depict the victories of Thutmos III, and reliefs of members of his family can be seen on the base.
Gotlar Column : This ancient monument remains unchanged since the Roman Period, and lies at the entrance of Gulhane Park, the external garden of Topkapi Palace. Erected in the third or fourth century, it composes of a 15m high marble monolith on a high platform. The column head is adorned with an eagle, typical of Corinthian method. It is also known as Gots Column, due to the inscriptions which mention the victory against the Gots.
Çemberlitaş (Constantine Obelisk) : Also known as Cemberlistas obelisk, this burnt column of masonry was erected by Constantine the Great in 330 AD, in celebration of the dedication of the capital city of the Roman Empire. It was placed in the middle of an oval square on the city’s second hill, in the area now known as Cemberlitas, and was burnt during the great fire of 1779 which destroyed much of the area.
Yılanlı Obelisk (Burmalı Obelisk) : Also known as Burmanli Obelisk, it was imported from the Apollo Temple in Delphi, to Istanbul during the fourth century and is one of the oldest monuments in the city. The original one was constructed in 409 BC, and made from melting and moulding the guns of the Persian Army, after their defeat to the United Greeks.
Beyazıt Square : When constructed in 393 AD during the reign of Emperor Theodosius, it was the biggest square in the city. Originally named as Form Tauri, die to the bronze bull heads in the victory cases in the middle, today only a few marble blocks and columns remain, on which the statue of the Emperor rises. At the north end was the first palace constructed by Fatih, and is now Istanbul University. The monumental gate at the university’s entrance, and the fire tower, date back to the 19th century.
The square which decorates the 15th century Beyazit Mosque (the oldest surviving imperial mosque in the city) lies adjacent to the crowded Kapali Carsi (Covered Market).
FOUNTAINS
Sultanahmet Fountain (III. Ahmet Fountain) : Also known as Ahmet III Fountain, it lies in front of Bab-I Humayun, the gate of Topkapi Palace. Considered an artistic masterpiece, it is intricately decorated with wooden eaves, masonry and bronze calligraphy. It is altogether different to the period’s more classical, modest style, and became a unique example of an elegant, rich beauty.
FOUNTAINS
Sultanahmet Fountain (III. Ahmet Fountain) : Also known as Ahmet III Fountain, it lies in front of Bab-I Humayun, the gate of Topkapi Palace. Considered an artistic masterpiece, it is intricately decorated with wooden eaves, masonry and bronze calligraphy. It is altogether different to the period’s more classical, modest style, and became a unique example of an elegant, rich beauty.
Azapkapı Saliha Sultan Fountain : Constructed under the orders of Sultan Mahmut I, this was built in the memory of his mother, Saliha Sultan in 1732.
Esma Sultan Fountain : The daughter of Ahmet III, Esma Sultan, ordered the building of this in 1799, and is built on a square design.
Mausoleums : Hagia Sophia Mausoleums, III. Murat Mausoleum, III. Mehmet Mausoleum, Mimar Sinan Mausoleum, Barbaros Hayrettin Paşa Mausoleum, Sultan II. Mahmut Mausoleum should be visited.
GEOGRAPHY
The summer months in Istanbul are generally hot and quite humid. The winters can be cold and wet, although not as extreme as other areas of the country. June, July and August see temperatures creep up to 30 degrees, with very little rain. Spring and autumn are popular times to visit because of the comfortable climate, good for lots of walking and sightseeing, with highs between 15 – 25 degrees C, in April, May, September and October. By the winter, the dry cold air mass from the Black Sea and cold damp front from the Balkans brings a chilly season with daytime highs of between 10 – 15 degrees C, and nights much colder. Although rarely falling to freezing point, there is the occasional light snow in the city.
ARTS, CULTURE and ENTERTAINMENT
İstanbul is an international art and cultural center.
İstanbul also has a rich program of light entertainment. In Sultanahmet, there are a number of restaurants in restored Byzantine and Ottoman buildings which offer a unique setting for an evening out.
Kumkapı, with its many taverns, bars and fish restaurants, is another attractive district.
At Eminönü do not miss the opportunity of seeing the fishermen dressed in traditional Ottoman dollies and their Ottoman-style boats on which you may board to sample their delicious fried fish.
SOURCE : TR Ministry of Culture and Tourism.
http://goturkey.kulturturizm.gov.tr/destinasyon_en.asp?belgeno=9610&belgekod=9610
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